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Corresponding |
single
channel video, sound, 6min 55sec, 2003. 8 (re-edited 2005.
11)
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m |
Corresponding
to sound.
Corresponding to direction.
Corresponding between the turning face images
and
turning screen on which the images are projected.
A
person’s face is turning, following the direction
of sound which seems like someone calling. When
the speed of the turning face gets faster, the
face is gradually distorted and finally the viewers
can notice that the face distortion is due to
the turning screen. At first, the viewers see
the face as a representation of a real person’s
face, but later as the screen speeds up, the viewers
can notice that the face is projected on another
inside screen, and the distortion is made by the
turning screen. So the viewers realize that their
experience has shifted from real to virtual. And
the viewers see that the image and sound, and
image and screen are corresponding to each other
shifting as time passes. |
Exhibition
History:
- < 2nd Solo Exhibition - Corresponding > Songeun Gallery, Seoul, Korea, July 28 - August 13.
- <
POSE, Lumen Eclipse > in the Harvard Square, Cambridge, Massachusetts, (May 1-
30, 2008)
- < VAD International
Video and Digital Arts Festival >, Cinema Truffaut,
Girona, Spain
- <
Moving Time: Tribute to Nam June Paik >, Korean Culture
Service , New York, U.S.A.
- <
Between
Man and Place >, contemporary art from Korea
and Israel, Ssamzie Art space, Seoul, Korea
- < Videobox
>, Hyun Jean Lee and Jung Suk-Hee, Whitebox, NY,
New York, U.S.A.
- <
Media in ‘f’ >, the 5th Ewha Media Art presentation(EMAP),
Ewha Women’s University, Seoul, Korea
- <
Paint by digit >, a night of visual rhythm, digital
art party at crobar, New York, U.S.A.
- <
ITP semester show >, ITP Show with Selected Works,
New York University, New York, U.S.A.
- <
2000-2004
Insa Art Space >, Insa Art Space of the Korean
Culture and Arts Foundation (KCAF), Seoul, Korea
Review
by Art Critic:
In
Corresponding, Lee Hyunjean's single-channel video
piece, a woman is seen swinging her head from
side to side. As the video progresses the woman's
motions amplify and the momentum begins 'taking
control' of the video frame. With growing intensity,
the head swings rock the video frame to and fro
like a sail of a ship caught in crosswinds. As
the frame swings and shifts from its axis it exposes
a black background.
The sound of the motion cutting through the air
is puzzling: Are we hearing the swinging frame
or the flying hair? The motion of the frame is
equally puzzling: Is the swinging video frame
displayed within another black video frame?
Reminiscent of Buster Keaton's meta-film antics
(walking through the screen to join the action
) yet meditative and trance like in its effect,
Corresponding is an evocative piece which questions
the very nature of the space of representation.
At the same time, it offers a visual metaphor
for the relationship between subject-matter and
context.
-Romy Achituv (Artist, Critic, and Visiting Professor of New Media, Ewha University, Korea)-
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(In
Mac, above MPEG4 movie could be seen after download) |
| Quick
Time movie, sound (14.6MB) |
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(because
of the compression for streaming video,
sound quality is not good as original one)
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